In
a London neighborhood, the lives of four characters quickly become entangled over
a few months in 2005. Esther has fled her marriage and life in New York to care
for her mother, Lonia, as she battles cancer. As the disease takes hold, Lonia
begins to spend more and more of her time in a dream-like state, remembering
her escape from Czechoslovakia at the beginning of WWII. Next door is Javad Asghari, a neurosurgeon
who fled Iran as a young man to escape the ayatollah’s fundamentalist regime.
Javad’s 19-year-old son Amir is a college student struggling to find himself
and reconcile his Iranian heritage and British upbringing. Over the long summer
Esther and Javad form a friendship that has a possibility of blossoming into
romance. When the London Underground is bombed by Islamic fundamentalists, Esther
must make a decision that will change her, Javad, and Amir’s lives forever.
A
musical fugue is a piece of music where a musical theme is repeated or imitated
throughout the piece by multiple voices, with the parts building onto and
weaving in and out of sync with one another. In psychology, a fugue is a
dissociation or loss of the self. In her debut novel, Margot Singer masterfully
reflects both definitions in one unforgettable story. The fugue theme is
prevalent throughout without feeling heavy-handed or forced. It is easy to see
the differences among these four characters, and yet their lives are often
reflections of one another’s. With plenty of tension and intrigue, Underground Fugue is a stark look at
loneliness and isolation that reads like a thriller.
-Portia Kapraun
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