I picked up The Drunken
Spelunker’s Guide to Plato because of its quirky title; I kept reading because
of the inventive writing and engaging storyline.
Author Kathy Giuffre is a
sociologist and professor specializing in social networks and cultural sociology,
and has written a number of academic books on those topics. This, her first
novel, combines Plato’s allegory of the cave from the Republic and stories from
Greek mythology. This may seem a stretch for her, but personal networks and
cultural norms are at the heart of this book.
Set before the advent of
the internet, the social networks formed here are those among a group of
outcasts in a small college town in the South. Feeling trapped in her small
Appalachian town, young Josie hops a bus to nearby Waterville. Waterville is
like any small college town, full of misfits, dreamers, drunks, and musicians,
all converging at a dive bar called The Cavern Tavern, aka “The Cave.” Josie
and her friends create a family of sorts as they navigate through life around
the time of the first gulf war.
Each chapter is preceded
by a portion of Plato’s allegory or a mythical tale that applies to the events
that follow. In less talented hands, this could feel very heavy-handed or
forced, but Giuffre winds them together with ease. It is easy to see Josie
finding solace in these ancient stories reflecting the events of her own life.
The Drunken Spelunker’s Guide to Plato tells a universal story of first love,
loss, and redemption. It’s about the families we build for ourselves, pulling
each other out of the darkness of the cave and into the light of day.
While the events of the
story could easily make this book depressing, the characters (especially Josie)
and their outlook on life make the book feel hopeful. As the book jacket says,
“Just because we’re all prisoners in the cave doesn’t mean we can’t have fun.”
-Portia Kapraun
-Portia Kapraun
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